POPULAR TOYS FOR 10 YEAR OLD BOYS - POPULAR TOYS FOR 10
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- a rare aged variation of Gold Label. ($1200)
- (of cultural activities or products) Intended for or suited to the taste, understanding, or means of the general public rather than specialists or intellectuals
- (of music or art) new and of general appeal (especially among young people)
- Liked, admired, or enjoyed by many people or by a particular person or group
- (of a belief or attitude) Held by the majority of the general public
- carried on by or for the people (or citizens) at large; "the popular vote"; "popular representation"; "institutions of popular government"
- regarded with great favor, approval, or affection especially by the general public; "a popular tourist attraction"; "a popular girl"; "cabbage patch dolls are no longer popular"
- (toy) plaything: an artifact designed to be played with
- An object, esp. a gadget or machine, regarded as providing amusement for an adult
- (toy) a nonfunctional replica of something else (frequently used as a modifier); "a toy stove"
- An object for a child to play with, typically a model or miniature replica of something
- A person treated by another as a source of pleasure or amusement rather than with due seriousness
- (toy) dally: behave carelessly or indifferently; "Play about with a young girl's affection"
- A male child or young man who does a specified job
- (boy) male child: a youthful male person; "the baby was a boy"; "she made the boy brush his teeth every night"; "most soldiers are only boys in uniform"
- (boy) a friendly informal reference to a grown man; "he likes to play golf with the boys"
- (boy) son: a male human offspring; "their son became a famous judge"; "his boy is taller than he is"
- A son
- A male child or young man
- ten: the cardinal number that is the sum of nine and one; the base of the decimal system
- ten: being one more than nine
- A gramophone record, commonly known as a phonograph record (in American English), vinyl record (when made of polyvinyl chloride), or simply record, is an analog sound storage medium consisting of a flat disc with an inscribed, modulated spiral groove.
Spanish Civil War Bristol Refugees
The Spanish Civil War, between Franco's right-wing Nationalists and the left-wing Republicans, started 70 years ago today. But not many people know about the story of how a group of Spanish schoolchildren fled Spain and sought refuge in Bristol.
Refugees: With fierce fighting in their native Basque region of Spain, dozens of children were evacuated to the safety of Bristol. The Spanish Civil War was a vicious conflict which killed thousands and divided not only the Spaniards, but people all over Europe.
The war attracted worldwide attention from those who saw it as a straightforward battle between Socialism and Fascism. Many were rightly fearful that it would lead to the world war which followed it.
Bristol people were involved in the war on many levels, with four young men even giving their lives for the Republican cause in Spain. Even those who remained in Bristol were reminded of the appalling danger the war posed to the civilians of Spain when 51 Basque refugees arrived in the city back in 1936.
The children had been sent by anxious parents who wanted them removed from a land of warring factions, political murder and appalling civil strife. The late Gladys Parsons and her husband Graham knew very little about the rights and wrongs of the war when, in that year, Graham was offered a temporary job as a caretaker at No 10 Kingsdown Parade by Bristol Education Committee.
It was a time of poverty and depression and Graham, an out-of- work electrician, took the job at what had been the Bristol School for deaf children (the building was lost in a wartime blitz). Gladys told the Post in 1986: 'It must have been the spring of 1936 when the children arrived.
'We all lived in this beautiful old house in Kingsdown and the children seemed happy enough. I remember my husband used to play football with them on the lovely lawns outside.' Her own children, Geoffrey and Sheila, became friends with the little Spanish refugees, and the people of Bristol rallied around, taking the youngsters on trips and parties.
'I can still remember some names,' recalled Gladys. 'Hortensia and Erisa were the teachers, and there was Maria and one little girl whose hair they had dyed blonde and whom everyone called Shirley Temple. 'The only boy's name I can remember was Alfonso. Most of the children came from the Bilbao area of Spain, I believe.'
There were many happy memories. 'It was marvellous how volunteers responded, always ready and willing to take the children on excursions,' explained Gladys. 'They once took them to Blaise, and sometimes on days out to Weston- super-Mare.' Volunteers included the Coles family of Shirehampton. The late Charles Coles, a foreman stevedore with C J King's at Avonmouth docks, even played Father Christmas for the children.
His daughter Olive told the Post in 1986: 'I remember the vitality of the children. I was 10 years old and remember going over by train from Shirehampton to see them. 'The one I remember in particular was Maria, such a little one and such fun. She even dared me to defy my father which was something I would never have dreamed of doing. He was very Victorian'
'We dressed up and took toys over to them for their Christmas party. No, they weren't sad or homesick. They were very happy children.' But the children were always thinking of home and their families in Spain, as Graham Parsons discovered one day when he went to clear the boilers in Kingsdown Parade.
Trying to shovel out left-over ash, he found that the space was jammed packed with tinned food. The children said that they had hidden it because there was nothing like this in Spain and they wanted their families to have some when they went home. After several months, with the worst of the fighting over, the children returned to their homes and families.
Mrs Parsons said: 'I never heard from any of them ever again, but I do think about them. I do wonder what happened to them, and I do like to remember their time here in Bristol, and think about what they must be like now. ' The children's story is really just a footnote in history, but one which illustrates just how disturbing events must have been to those who lived through them.
So profound was the experience of the war that it inspired some of the 20th century's greatest artists to write some of their most moving work. George Orwell's masterpiece, Homage To Catalonia, was written about his experiences of the war, as was Ernest Hemingway's For Whom The Bell Tolls and Laurie Lee's A Moment Of War.
It also inspired Pablo Picasso's famous painting Guernica, which commemorated the horrifying bomb attack on that city's civilian population. Others sent money, campaigned to raise awareness and lobbied the British government to help where it could.
Bristol East, the constituency of 'Iron Chancellor' Stafford Cripps, had been the radical centre of Labour Party agitation for years and young Bristol Socialists there were determined to do what they could to end the s
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